Steve McCurry is, perhaps, one of the most iconic names in the National Geographic pantheon. A travel photography giant, his vibrant images have inspired millions, but he’s recently come under fire over Photoshop use after a botched print at a show in Italy was found to have a serious issue.
Every photographer has gotten the question after a successful shoot: “The photos look great, but can I get the rest of them just in case I need them later? You don’t need to edit them or anything.”
If you’re here for the short answer, the answer is no, but it’s important to me for people to understand why.
Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos’ New York headquarters, has personally worked on some of the cooperative’s best-known images. A number of his marked-up darkroom prints have appeared online, revealing the enormous amount of attention Inirio gives photos in the darkroom.
Of all the camera lenses offered on Amazon, the $26,000 35-pound giant green Sigma 200-500mm f/2.8 probably has the funniest customer reviews and images.
“As a rule of thumb, if your [Director of Photography] mentions something with a German-sounding name, it means it’s going to be super expensive.” Ain’t that the truth…
As video games become more and more realistic, some artists have made names for themselves by shooting artistic in-game photographs (AKA screenshots). Now NVIDIA wants to bring in-game photography to the masses: the graphics company just announced “Ansel,” a new virtual photography tool that’s ready to appear in many future games.
We reported back in May 2015 that Yongnuo was developing a Nikon counterpart to its cheap 50mm f/1.8 Canon lens. The lens quietly became available recently over on eBay, and the price tag is $82.
Of all the camera lenses offered on Amazon, the $26,000 35-pound giant green Sigma 200-500mm f/2.8 probably has the funniest customer reviews and images.
GoPro has released the first sample footage shot using its new Omni virtual reality camera rig, which combines views from 6 separate cameras to create an immersive 360-degree video experience.
Painter Norman Rockwell’s illustrations graced the covers of countless magazines over the course of the 20th century, becoming a much-loved piece of American culture for their simple snapshots of life. You might recognize many of the works, and even the name behind the paintings, but did you know that virtually all of the images started out as photographs?
The selfie. Generally maligned by anyone older than 30 as a narcissistic (and sometimes dangerous) pursuit, the selfie has become enmeshed with all forms of Millenial self-expression. The younger generation isn’t content to just photograph their surroundings, they need to be present in the image or video to enhance the authenticity.
Here’s episode 70 of the PetaPixel Photography Podcast. You can also download the MP3 directly and subscribe via iTunes or RSS!
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I know we all wish there was that one magic tutorial which would take our photography to the next level. And we also get frustrated when we try a technique for the first time and it doesn’t go as planned. It would be great if things were simple, wouldn’t it?
When capturing a portrait, eyeglasses can be a really reflective pain. Fortunately, photographer and educator Scott Kelby put together a quick tutorial that’ll show you two ways to fix this issue in Photoshop.
There are a plethora of common Lightroom mistakes made by beginners and advanced users both. In this video series, Croatia-based photographer ibreakphotos tackles the most common and egregious… mistakes you probably see every day scrolling through Flickr or 500px.
In a world filled with tutorials and workshops and webinars and so much free educational content it could make your head spin, the mentor-mentee relationship is too-often relegated to the “unnecessary” bin. But getting a photography mentor can be one of the most important steps you ever take in your career.
American photojournalist W. Eugene Smith was widely praised for his devotion to photography and for pioneering the use of the photo essay to tell stories. He is said to have “created at least fifty images so powerful that they have changed the perception of our history.”
There’s one little fact about how Smith worked that may be of great interest to photographers these days, especially as debates rage on regarding the merits of “straight out of camera” (SOOC. i.e. non-Photoshopped) photography: Smith believed that most of what makes a photo is done in the darkroom rather than in the camera.
So, the Nikon D7000 I bought, brand new in early 2014, is a fake. Unbeknownst to me until very recently, of course. Let’s start at the beginning — it being the most logical and traditional place to start.
As a photographer I spend a lot of time taking photos, editing, blogging, and posting to social media. To what end? Are the photos meant to be viewed for the 24 hour period that Facebook displays them and then just gone forever? And then I scrounge up another photo to share and the cycle just continues.
The 42MP Sony a7R II has got to be one of the most anticipated camera systems in the history of cameras, and for good reason.
Over the years, I’ve had the chance to play with all sorts of camera systems, from cheap point-and-shoots to $30,000 80-megapixel behemoths. I’ve observed as the DSLR video revolution spread across the world, and watched as the lines between photography and videography started to blur as video cameras started to shoot stills and still cameras started to shoot video.